Patreon


For my most recent work, see my Patreon channel. Free and paid options; weekly posts are mostly recent performance excerpts, plus occasional work-in-progress or reflection on listenings.






Performances


I play about 30 shows per year, variously combining concertina/electronics/visuals, noise/music, and composition/improvisation.
Makertube: occasional big-picture updates
Youtube: archived work pre-2026

Supercut: (almost) all my 2025 shows in 5 minutes






Albums (selected)


Tusk (2026), experimental concertina

"aural inscriptions cast against a smooth surface" - Brad Rose, Foxy Digitalis
"glazed and richly colored arc of tones" - Brad Cohan, Treble



Three Rivulets (2024), rhythmic synth collages

"trance-inducive... I found myself wanting to listen to the whole thing several times over" - Frédéric Cardin, PanM360
"patterns endlessly in reinvention and never fixed" - Andrew Khedoori, First Impressions



the bandwidth to care (2024), synthetic textures

"fascinating, gritty" - Jeremy Shatan, Discover Music with AnEarful






Other work


Lavender Lauds (2023). 8-channel sound installation, 30 min, for TONSPUR_passage, MuseumsQuartier, Vienna, April-May 2023




Abacus (2016-17). bespoke controller: Arduino and control elements on a mic clip




Almost Completely Lucid (2019), 4 melodicas, 4-channel electronics
the chance that time takes (2016), string quartet
Choose (2014), percussion quartet
Eight Paces (2017), audio-video
For soloist and any number of musicians (2015), vocal soloist, open ensemble
[I] n q u i r y (2016), 8-channel electronics, plus dance, video
Listening Not Guaranteed (2017), laptop ensemble
reverie (2018), 2 pianos, 2 vibraphones, electronics






Writing


2022: "A Sound Artist's Breakdown of Field Recording Over History," by Maria Chavez, writing consultation by Kristina Warren. Organised Sound 27(1).
2019:"'Timbral exploration and collaboration with performers lie at the heart of my musical life': An interview with Judith Shatin." Journal of the International Alliance of Women in Music
2018: "Sound Technologies as Agency-Granting Prosthesis to Vocal Body." Leonardo Music Journal (abstract)
2017: "Notated Control as Composed Liveness in Works for Digitally Extended Voice" Proceedings of TENOR Conference
2017: Show More/ Show Less: Extended Voice, Technology, and Presence. PhD dissertation, University of Virginia
2016: "Composing and Performing Digital Voice Using Microphone-Centric Gesture and Control Data." Proceedings of ICMC
2016: "Review: Cathy Berberian, Pioneer of Contemporary Vocality" Journal of the International Alliance of Women in Music









© 2026