For my most recent work, see...


Patreon

Consider subscribing to my Patreon! I post there regularly and it's really the hub of my ongoing creative work. Posts include finished and in-progress work, discussions of what I'm listening to, and prompts and jam sessions for followers to make sound. Tiers start at $2/month, and all tiers receive the same benefits (sliding scale).

>>> Want to try before you buy? A few times a year I make a free, public post summarizing what I've worked on the last few months, like this Fall'22 performance video and writen reflection. Plus, when you sign up you won't be charged until the next 1st day (ex: sign up September 1 -> pay October 1), so there's a built-in trial period. Come check it out!



Bandcamp

Also check out my Bandcamp, where I release new music semi-regularly and free streams are possible.

Thanks for listening!





instrument builds (selected)


Abacus · mic clip-mounted controller; demo; For ami with screen score
Dainty · tactile synth
Death Goddessses · synth family; States of Intuition installation, Cyprus, 2018
Exo.Rosie · wearable synth
Matches · tactile synth
Ora · pressure sensor array controller; foot pedal demo; full-body performance





compositions & projects


filament · voice-electronics album
Almost Completely Lucid · 4 melodicas, 4-channel electronics
the chance that time takes · string quartet
Choose · percussion quartet
Eight Paces · audio-video
For soloist and any number of musicians · vocal soloist, open ensemble
[I] n q u i r y · 8-channel electronics, plus dance, video
Listening Not Guaranteed · laptop ensemble
reverie · 2 pianos, 2 vibraphones, electronics





reviews


DeGroot, Jillian. "filament: Kristina Warren’s Debut Solo Album as Petra"
Masters, Marc. "The Best Experimental Music on Bandcamp: March 2019"
McCorkle, Brian. "Review: petra - filament"
Mulder, Dolf. "PETRA - FILAMENT"
Naylor, Donita. "Providence Loop Fest concludes its second year with offbeat sounds, sights"
O'Hare, Erin. "Composer Kristina Warren channels vocal technology into art"
Reid, Sarah. "New Interfaces, New Sounds: On Electronic Musical Instruments and Controllers"





writing


"A Sound Artist's Breakdown of Field Recording Over History," by Maria Chavez, writing/conceptual consultation by Kristina Warren. Organised Sound 27(1). DOI link
"'Timbral exploration and collaboration with performers lie at the heart of my musical life': An interview with Judith Shatin." Journal of the International Alliance of Women in Music
"Sound Technologies as Agency-Granting Prosthesis to Vocal Body." Leonardo Music Journal (abstract)
"Notated Control as Composed Liveness in Works for Digitally Extended Voice" Proceedings of TENOR Conference
Show More/ Show Less: Extended Voice, Technology, and Presence. PhD dissertation, University of Virginia (AV documentation)
"Composing and Performing Digital Voice Using Microphone-Centric Gesture and Control Data." Proceedings of ICMC
"Review: Cathy Berberian, Pioneer of Contemporary Vocality" Journal of the International Alliance of Women in Music









© 2022