PERFORMANCES


processed concertina solo, Infuse, Paris, September 2024




analog-digital solo, Lost Bag, Providence, November 2024




(almost) all 2024 shows in 5 minutes








INSTALLATIONS


Lavender Lauds, 8 channels, 30 minutes, for TONSPUR_passage, MuseumsQuartier, Vienna, April-May 2023




States of Intuition, for self-designed "Death Goddesses" hardware synths, Cyprus Museum, July 2018








ALBUMS


Three Rivulets (2024), audiovisual album

"trance-inducive... I found myself wanting to listen to the whole thing several times over" - Frédéric Cardin, PanM360
"patterns endlessly in reinvention and never fixed" - Andrew Khedoori, First Impressions



the bandwidth to care (2024), solo electronic album

"fascinating, gritty" - Jeremy Shatan, Discover Music with AnEarful



New Suns (2023), ARP 2500 album

"the constant quest for understanding by any means possible" - Mikolaj Pajdak, Nowa Muzyka
"engaging and enigmatic, leaving me slightly bewildered and wanting more" - Brad Rose, Foxy Digitalis



filament (2019), voice-electronics album released as petra

"Warren questions our musical habits and conventions... A very pronounced message from a radical artist" - Dolf Mulder, Vital Weekly
"...delivers voice as an unidentifiable instrument driving an invisible electrical current." - Jillian DeGroot, I Care If You Listen
"she knows how to deploy space effectively... precise and unpredictable" - Marc Masters, Bandcamp







INSTRUMENTS


Abacus (2016-17), Arduino and control elements on a mic clip




Dainty (2020-21), hardware synth








COMPOSITIONS


Almost Completely Lucid (2019), 4 melodicas, 4-channel electronics
the chance that time takes (2016), string quartet
Choose (2014), percussion quartet
Eight Paces (2017), audio-video
For soloist and any number of musicians (2015), vocal soloist, open ensemble
[I] n q u i r y (2016), 8-channel electronics, plus dance, video
Listening Not Guaranteed (2017), laptop ensemble
reverie (2018), 2 pianos, 2 vibraphones, electronics







WRITING


2022: "A Sound Artist's Breakdown of Field Recording Over History," by Maria Chavez, writing consultation by Kristina Warren. Organised Sound 27(1).
2019:"'Timbral exploration and collaboration with performers lie at the heart of my musical life': An interview with Judith Shatin." Journal of the International Alliance of Women in Music
2018: "Sound Technologies as Agency-Granting Prosthesis to Vocal Body." Leonardo Music Journal (abstract)
2017: "Notated Control as Composed Liveness in Works for Digitally Extended Voice" Proceedings of TENOR Conference
2017: Show More/ Show Less: Extended Voice, Technology, and Presence. PhD dissertation, University of Virginia
2016: "Composing and Performing Digital Voice Using Microphone-Centric Gesture and Control Data." Proceedings of ICMC
2016: "Review: Cathy Berberian, Pioneer of Contemporary Vocality" Journal of the International Alliance of Women in Music









© 2024